Javon Jackson, Joanne Brackeen, Eddie Gomez, & Jimmy Cobb - Coltrane Tribute

Javon Jackson, Joanne Brackeen, Eddie Gomez, & Jimmy Cobb - Coltrane Tribute

Fri, October 20, 2017

9:00 pm

$25.00 - $50.00

Javon Jackson, Joanne Brackeen, Eddie Gomez, & Jimmy Cobb - Coltrane Tribute
Javon Jackson, Joanne Brackeen, Eddie Gomez, & Jimmy Cobb - Coltrane Tribute
Tenor Saxophonist Javon Jackson came into international prominence touring and recording with the legendary drummer Art Blakey as a member of his band, Art Blakey and the Jazz Messengers. Symbolizing a new generation of musicians that blended tradition with neo-jazz, Jackson went on to release 14 recordings as a band leader and tour and record over 135 CDs with jazz greats including Elvin Jones, Freddie Hubbard, Charlie Haden, Betty Carter, Cedar Walton, Ron Carter, Donald Byrd, Dr. Lonnie Smith, Richard Davis, Bobby Hutcherson, Curtis Fuller, JoAnne Brackeen, Stanley Turrentine, and Ben E. King.

In 1992 Jackson made his recording debut with Me and Mr. Jones, featuring James Williams, Christian McBride and master drummer and NEA Jazz Master Elvin Jones. Jackson also recorded six projects for Blue Note Records featuring collaborations with Betty Carter, Dianne Reeves, Cassandra Wilson, Kenny Garrett, Jacky Terrason, John Medeski and Vernon Reid. Among his later recordings for Palmetto Records, Javon explored funk based jazz, incorporating the sounds of Fred Wesley, Dr. Lonnie Smith, Lenny White, Mark Whitfield and others. Javon’s current musical group, The Javon Jackson Band, blends many styles including jazz, funk, R&B and rock.

In 2012, Jackson released two self produced recordings, Lucky 13 and Javon Jackson and WE FOUR, Celebrating John Coltrane. These CDs marked his return to acoustic jazz. For Lucky 13, Javon covers music by Stevie Wonder as well as newly composed original material and is joined by a special guest, Les McCann, for three selections. Javon Jackson and WE FOUR, Celebrating John Coltrane, is a tribute to the iconic saxophonist, composer and bandleader. The release is highlighted by an appearance by NEA Jazz Master Jimmy Cobb, drummer for both Coltrane and Miles Davis.

In live performances, The Javon Jackson Band is joined by special guest Les McCann, the iconic soul jazz pianist, vocalist and composer. Known as one of the godfathers of soul jazz, Les is recognized as a founding force for the genre known as funky jazz established in the mid 1960’s.

In 2010, Javon was commissioned by the Syracuse International Film Festival to compose a full-length score for the Alfred Hitchcock film, The Lodger, a silent movie based on the hunt for Jack the Ripper. The original score had its debut at the festival, performed live by Jackson at the film’s screening on October 2010.

In 2012, Javon was the recipient of the prestigious Benny Golson Award from Howard University in Washington, DC, for recognition of legendary excellence in jazz.

In addition to his performance schedule, Javon Jackson is a highly sought after jazz educator, conducting clinics and lectures at universities throughout the United States and abroad. He served as Assistant Professor of Jazz at Long Island University (NY)1996-1998, and in the Conservatory of Music at Purchase College (NY) 1999-2007. In 2013, Javon accepted the position of Director of the Jackie McLean Institute at the University of Hartford.

Also, Javon currently serves as a Jazz Panelist for the National Foundation for Advancement in the Arts. He is also a member of JEN (Jazz Education Network) and lends support as JENerations Jazz Festival Artist and Clinician Coordinator. Jackson has a Bachelor in Music from the Berklee College of Music (Boston, MA) and a Master of Music from State University of New York College at Purchase.

Legendary jazz drummer, Jimmy Cobb, was born in Washington, D.C. on January 20, 1929. A superb, mostly self-taught musician, Jimmy is the elder statesman of all the incredible Miles Davis bands. Jimmy’s inspirational work with Miles, John Coltrane, Cannonball Adderly and Co. spanned 1957 until 1963, and included the masterpiece "Kind of Blue", the most popular jazz recording in history. He also played on "Sketches of Spain", Someday My Prince will Come", "Live at Carnegie Hall, "Live at the Blackhawk", "Porgy and Bess", and many, many other watermark Miles Davis recordings.

Jimmy did his first recording with Earl Bostic and played extensively with Dinah Washington, Billie Holiday, Pearl Bailey, Clark Terry, Dizzy Gillespie, Cannonball Adderly, before joining Miles in 1957. By 1963 Tony Williams took over the Miles drum chair in 1963 and Jimmy left Miles to continue to work with Miles’ rhythm section, Winton Kelly and Paul Chambers behind Wes Montgomery. In addition to several Winton Kelly Trio Albums, the three did albums with Kenny Burrell, and J.J. Johnson, among others, before disbanding in the late 60’s.

Jimmy then worked with Sarah Vaughn for 9 years. Afterward, Jimmy continued to freelance with several great groups throughout the 70’s 80’s and 90’s including, Sonny Stitt, Nat Adderly, Ricky Ford, Hank Jones, Ron Carter, George Coleman, Fathead Newman, The Great Jazz Trio with Nancy Wilson, Dave Holland, Warren Bernhardt, and many, many others worldwide.

In the early 90’s a Television Special produced by Eleana Tee featured Jimmy playing and hanging with Freddie Hubbard, Gregory Hines, Bill Cosby, Dave Leibman, Pee Wee Ellis, and others. Jimmy has played around the world from Newport to Monte Carlo, from LA to Japan. He has performed for both Presidents Ford, and Carter, the Shah of Iran and many other dignitaries in his storied career, and is quoted extensively in "Kind of Blue", the Documentary of those legendary recording sessions as well as Writing the forward for the Book --Kind of Blue-- the making of the Miles Davis Masterpiece in 2000.

In 2002 Jimmy completed a "Four Generations of Miles" album with guitarist, Mike Stern, Ron Carter (bass), and George Coleman (tenor) for Chesky records. Other releases include his long awaited solo album, "Yesterdays", produced by Eleana Tee for Rteesan Productions. It features Michael Brecker on tenor, Marion Meadows on soprano, Roy Hargrove, trumpet and flugelhorn, Jon Faddis, trumpet, Eric Lewis, electric piano, Peter Bernstein, guitar, and John Weber on bass. This album was done in Jimmy’s two adopted home towns; recorded and shot in New York, and mixed and edited in Woodstock, NY. It includes a wide variety of arrangements ranging from a unique interpretation of Jimi Hendrix "Purple Haze" to ballads "Yesterdays" and blues (All Blues, Faddis, Monk) and standards, "Without a Song" and "Love Walked Right In". This major musical statement will include several music videos and a complete television documentary.

Later, Jimmy’s Albums New York Time, Cobb’s Corner and West of 5th, Produced by Eleana Steinberg Tee and David Chesky were released. Jimmy’s Album New York Time played by Jimmy, Christian McBride, bass, Javon Jackson, tenor sax, and Cedar Walton, on piano incorporates songs for all moods. West of 5th features Jimmy, accompanied by Hank Jones on piano and Christian McBride on Bass, in this compilation of songs is a ballad written by Mr. Cobb in tribute to his late younger sister Eleanor. And In 2007 Cobb’s Corner was released, played by Jimmy, Roy Hargrove, Ronnie Mathews, and Peter Washington AKA The Jimmy Cobb Quartet. In June 2008, Jimmy was the recipient of the Don Redman Heritage award. Just 4 months later, on October 17 2008, Jimmy was one of 6 to be presented with the National Endowment for the Arts (NEA) Jazz Masters award.

Jimmy remains active, not only in New York City, where he leads Jimmy Cobb’s Mob but on the international circuit including Japan, China, Netherlands, France, Germany, Italy, & South Africa.

Legendary bassist and two-time Grammy Award winner EDDIE GOMEZ has been on the cutting edge of music for over four decades. His impressive resumé includes performances with jazz giants such as Miles Davis, Dizzy Gillespie, Bill Evans, Gerry Mulligan and Benny Goodman. Eddie’s unique sound and style can be heard on many Grammy winning records as well as on hundreds of recordings spanning the worlds of jazz, classical, Latin jazz, rhythm & blues, popular and contemporary music.

Born in 1944 in Santurce, Puerto Rico, Eddie moved to New York City with his family at an early age. His love of music led him to the double bass as a precocious 11-year old student in the public school system. Two years later he was accepted to the High School of Music and Art and soon began private studies with the great double bass teacher Fred Zimmerman. During these years, he performed with many professional dance bands and was a member of the Newport Youth Band led by Marshall Brown. By 18, he had performed with such jazz luminaries as Buck Clayton, Lionel Hampton, Marian McPartland and Paul Bley.

Eddie continued his studies at the Juilliard School of Music, where his contemporaries included Chick Corea, Hubert Laws, James Levine, Itzak Perlman, Paula Robinson and Gary Karr. By the end of his third year of school, he dreamed of a career as a performing jazz musician. Later that summer he joined with Gary McFarland and soon after the Gerry Mulligan Quintet. In the spring of 1966, both Mulligan’s group (with Eddie on bass) and the Bill Evans Trio performed for a week at the famed Village Vanguard. That week at the Vanguard changed Eddie’s life forever. When Bill Evans heard the young phenom, he practically hired him on the spot. Bill called a few weeks later and Eddie’s dream had been realized. At age 21, he was the bassist with the Bill Evans Trio – and rose quickly to fame. TIME magazine declared in its review of the trio’s first recording, “Eddie Gomez has the world on his strings.”

Joining the Bill Evans Trio was a turning point in Eddie’s career. He had arrived in a big way and the jazz community took notice. For 11 years, Eddie played an integral role in the Bill Evans Trio’s sound and evolution. This period of vast artistic growth with Bill Evans included performances throughout the United States, Europe, South America and Asia, as well as dozens of recordings – two of which won Grammy Awards. During this time, Eddie also realized another dream performing on many occasions with the great Miles Davis, in the Davis quintet that also featured Wayne Shorter, Herbie Hancock and Tony Williams.

In 1977, Eddie left the Evans Trio to explore new musical territory. For the next decade, he performed in many diverse musical contexts, working with Dizzy Gillespie, Freddie Hubbard, George Benson, McCoy Tyner, Hank Jones, Nancy Wilson, Tanya Maria, the All Star groups “Steps Ahead” and “New Directions” and many others, as well as on Grammy-winning recordings with Chick Corea.

In the classical music world, Eddie has been a guest artist with The Kronos Quartet, Tashi Ensemble, Japanese marimbist Mika Yoshida and clarinetist Richard Stoltzman. His recordings with Stoltzman have included “Begin Sweet World” and most recently “The Goldberg Variations” and other pieces by Johann Sebastian Bach. At Carnegie Recital Hall, Eddie premiered a musical piece written specifically for him by William Thomas McKinley.

In popular music, Eddie has performed and recorded with artists such as Bobby Darin, Tim Hardin, Carly Simon, Art Garfunkel, Mark Knoffler, Michael Franks, Judy Collins and Jennifer Holliday. He has also been a member of “The Gadd Gang,” Steve Gadd’s All Star R&B/jazz band.

Born in the coastal city of Ventura, California, this jazz giant came from humble beginnings, in a jazz-less town of 17,000. JoAnne Brackeen began to learn jazz, at age eleven, by transcribing entire piano solos from recordings. By the age of twelve, she was busy performing. After moving to the Los Angeles area, and still in her teens, Brackeen had already met and played with Scott LaFaro, Charlie Haden, Don Cherry, Billy Higgins, Charles Lloyd, Bobby Hutcherson, Dexter Gordon, and Art Farmer.

JoAnne was awarded a scholarship to study at the Los Angeles Conservatory of Music. But her student days were brief, for she ultimately decided to pursue jazz on her own. After having a family (she is the mother of four children), Brackeen moved to New York in 1965 to advance her career. There she met and played with such well-known musicians as Paul Chambers, Sonny Stitt, Woody Shaw, Lee Konitz and George Benson. She has gone on to perform and/or record with many more greats over the years, including Pharoah Sanders, Dave Liebman, Freddie Hubbard and Dave Holland.

Throughout her career, JoAnne has operated at full capacity in a male-dominated field, breaking through the glass ceiling and becoming an icon for women in jazz. After gaining distinction as the first and only female member of Art Blakey's Jazz Messengers (1969-1972), Brackeen went on to perform extensively with Joe Henderson (1972-1975) and Stan Getz (1975-1977). Getz described her as "one of the most original and creative composers in my band." These high-profile tenures enabled JoAnne to reach audiences throughout the world. The outstanding musicality of her performances made her a focal point of attention for producers, festivals, clubs, and record companies alike.
Venue Information:
Dazzle @ Baur's
1512 Curtis St.
Denver, CO, 80202
http://dazzlejazz.com